1967 slides taken by Neal Wright of a putative Ivory-billed Woodpecker in Texas are viewable on Vireo (search Ivory-billed Woodpecker), but high resolution scans have not been widely circulated as far as I know. These images were not made public until after the the Arkansas “rediscovery”, more than three decades after they were obtained. Wright’s story is mentioned in Jackson (2004) “Reynard saw the photo and said that it was fuzzy but definitely of a Campephilus woodpecker.” It’s clear from the context that Jackson had not seen the images at the time of writing.
When I first encountered the Wright slides, I was skeptical, but after seeing some lesser-known Singer Tract photographs as well as other images of Campephilus woodpeckers in cavities, my opinion started to shift. After finding additional ivorybill photographs in the Cornell archives and in Tanner’s dissertation, I thought it would be worth posting some of those images along with one of Wright’s slides for the sake of comparison.
Of course, it’s up to readers to draw their own conclusions, but I think a few things are worthy of note. First, the Wright slides were taken long before the internet, at a time when the only readily available image of an ivorybill in a nest cavity was Tanner’s Plate 1, which is quite similar to Fig. 43b (below). The posture of Wright’s bird is much closer to the ones shown in the then virtually unknown and/or unpublished images, especially those from the 1938 nest. The placement of the cavity is also strikingly similar, just below a major fork. It seems highly unlikely that Wright would have been aware of obscure Singer Tract photographs.
While the image quality is too poor to be certain, there appears to be excavation similar to work found on some Singer Tract nest and roost trees to the right of the nest cavity in Wright’s slide. Again, this is a fine detail that would likely have been unknown to Wright and that would have been difficult to fabricate.
These are very poor quality images; the malar stripe seems a little too extensive, although this could easily be a function of angle and lighting. As with the Fielding Lewis photographs, which were taken several years later, I have to wonder why anyone intent on committing a hoax wouldn’t do a better job. And in the case of the Wright pictures, it would make more sense if the template for such a hoax would have been Plate 1 in Tanner, rather than photos that were unknown to all but a handful of people, most of them at a northeastern university.
Finally, I think the fact that the images were turned over to an ornithologist (George Reynard, scroll down for his obituary) but were kept confidential for so long also tends to support the idea that they’re authentic. Neal Wright may have had an agenda – a desire to protect the area where he took the picture – but the images were not used to serve that purpose.
Edited to add: This fascinating article on a recent, non-ivorybill related hoax suggests that it’s not uncommon for hoaxes to be paradoxically uneven in quality, and that hoaxers’ motives can be murky and bizarre. Nonetheless, I think that other factors point to authenticity for both the Wright and Lewis photos.
Another item I found in Tanner’s dissertation merits comparison with one of Project Coyote’s camera trap photos, since the tree species involved are the same. Plate 7 in Tanner shows ivorybill feeding sign on honey locusts, but the reproduction in the monograph is very dark. The figure from the dissertation is much brighter, making it clearer what Tanner was attempting to show. I think the similarity to the work on our target tree, where I had a sighting a week prior to the capture, is striking.
To enlarge the trail cam photo, click here.
One thought on “Old Singer Tract Images Compared with Two More Recent Ones (from Elsewhere)”
Dramatic scaling on the tree in that last photo.